Deep Dark Gothic Poetry

Voices from the dark, or "gothic," side of American life are well known through the work of writers such as Edgar Allan Poe, Nathaniel Hawthorne, and Herman Melville. But who were the Poes of American art? Until now, art historians have for the most part seen the gothic as the province of misfits and oddballs who rejected the bright landscapes and cheerful scenes of everyday life depicted by Hudson River School and other mainstream painters. In "Painting the Dark Side, "Sarah Burns counters this view, arguing that far from being marginal, the gothic was a pervasive and potent visual language used by recognized masters and eccentric outsiders alike to express the darker facets of history and the psyche. A deep gothic strain in the visual arts becomes evident in these beautifully written, richly illustrated pages, illuminating the entire spectrum of American art. Weaving a complex tapestry of biography, psychology, and history, Sarah Burns exposes dark dimensions in the work of both romantic artists such as Albert Pinkham Ryder and Thomas Cole and realists like Thomas Eakins. She argues persuasively that works by artists who were generally considered outsiders, such as John Quidor, David Gilmour Blythe, and William Rimmer, belong to the mainstream of American art. She explores the borderlands where popular visual culture mingled with the elite medium of oil and delves into such topics as slave revolt, drugs, grave-robbing, vivisection, drunkenness, female monstrosity, and family secrets. Cutting deep across the grain of standard nationalistic accounts of nineteenth-century art, "Painting the Dark Side "provides a thrilling, radically alternative vision of American art and visualculture.

The poetry of Anthony Hecht has been praised by Harold Bloom and Ted Hughes, among others, for its sure control of difficult material and its unique music and visual precision. This new volume is the fruit of a mellowing maturity that carries with it a smoky bitterness, a flavor of ancient and experienced wisdom, as in this stanza from "Sarabande on Attaining the Age of Seventy-seven": A turn, a glide, a quarter-turn and bow, The stately dance advances; these are airs Bone-deep and numbing as I should know by now, Diminishing the cast, like musical chairs. Hecht's verse--by turns lyric and narrative, formal and free--is grounded in the compassion that comes from a deep understanding of every kind of human depredation, yet is tempered by flashes of wry comedy, and still more by innocent pleasure in the gifts of the natural world. Followers of his poetry will recognize an evolution of style in many of these poems--a quiet and understated voice, passing through darkness toward realms of delight.

Dark Sun (nightclub) - Dark Sun is a gothic music club in Athens, Greece (Peristeri). It is well-known among the gothic subculture of Athens and it is notable because of its unusual decoration.

Gothic novel - The gothic novel is a literary genre that belongs to Romanticism and began in Britain with The Castle of Otranto (1764) by Horace Walpole. It is the predecessor to modern horror fiction and, above all, has led to the common definition of "gothic" as being connected to the dark and horrific.

Neo-Gothic Art - * An art style that dates back to the 1980s and earlier, practiced by Gothic artists and Fantasy artists. The style stresses sexuality, religion, a gothic lifestyle and is often painted/made in dark sombre colours.

Symbolist poetry - Symbolism, as a type and movement in poetry, emphasized non-structured "internalized" poetry that, for lack of better words, describe thoughts and feelings in disconnected ways and places logic, formal structure, and descriptive reality in the back seat. Influences on the Symbolist poets included the dark, introspective romanticism of William Blake and Edgar Allan Poe, as well as the Parnassianism of ThÃ©ophile Gautier and Charles Leconte de Lisle.

deepdarkgothicpoetry

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